RCA BK-5A VINTAGE UNIAXIAL RIBBON MICROPHONE WITH YOKE AND ATTACHED XLR CABLE
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fair cosmetic condition, corrosion on parts of exterior
with yoke and attached cable terminating to female 3 pin XLR
No case or manual.
The RCA Type BK-5A Uniaxial Microphone is a dependable, high- quality ribbon instrument possessing an improved unidirectional characteristic, and is designed for broadcast use in AM, FM, and TV stations. The microphone has a frequency response that is essentially uniform from 50 to 15,000 cycles. Its excellent response and frequency range, combined with its unexcelled cardioidal directional characteristic, makes it ideal for reproducing both speech and music.
At low frequencies, the pickup pattern is a true cardioid. At 5000 CPS and above, the pattern becomes fan shaped. This can be utilized to reduce pickup of scraping noises from the floor of a television studio set.
The microphone has been engineered with the television studio in mind. Since maximum sensitivity lies on the major mechanical axis, it is a one-axis, or uniaxial type microphone. This directional characteristic simplifies microphone and camera placement problems. Incorporated in the unit is a blast filter which reduces damage to the microphone from gun blasts and other violent noises. In addition, the small size, light weight, unobtrusive yet attractive gray finish and appearance render it especially suitable for television, but it is also admirably suited to general broadcasting and high-fidelity sound systems.
The Type BK-5B Microphone is a unidirectional microphone in which the moving element is a thin corrugated metallic ribbon clamped under light tension to cause it to vibrate at its own resonant frequency. The ribbon is placed between the pole pieces of a magnetic circuit. One side of the ribbon is open to the atmosphere and the other opens on an acoustical labyrinth which has phase-shift openings giving the instrument its improved unidirectional characteristics. The labyrinth of the microphone houses an impedance matching transformer and switch for selecting response characteristics for voice or music.
A unique feature of the BK-5B is a blast filter consisting of two separate cloth layers supported by perforated metal screens. The filters reduce damage to the microphone from gun blasts and other loud noises encountered in broadcast programming. In addition, the transformer is exceptionally well shielded against stray magnetic fields and can perform satisfactorily in high hum fields.
There have been many occasions when ribbon microphones have been damaged during television shows by guns being fired close to the microphone. Tests at RCA’s David Sarnoff Research Center showed that the ribbon damage was not done by the steep-fronted blast wave, but rather by the concussion wave that followed as the air moved into the vacuum created by the explosion. The concussion wave contains many low-frequency components. If it were possible to isolate the ribbon from these components, a considerable measure of protection would be effected. To accomplish this, two layers of fine mesh cloth are supported in front of the ribbon by the horn-like structure. These form an acoustical filter which reduces the concussion wave of gun blasts.
In laboratory tests, it was possible to fire .38 caliber blanks as close as three feet from the microphone and .32 caliber blanks as close as one and one-half feet without any measurable effect on the performance. The tests were made with the gun fired at right angles to the microphone and directly in front of it.
The integration of the blast filter, acoustic phase-shift network and specially designed connector to couple the ribbon to the labyrinth is responsible for the unique uniaxial characteristic of the BK-5B, and uniform frequency response over the aural spectrum. The microphone is supported on a cushion mounting which has a half-inch internal pipe thread to fit RCA desk or floor stands.
The small size and axial directivity aid in placing the BK-5B in inconspicuous fixed locations. There are no shiny external parts to reflect light and draw attention to the instrument. The axial directivity makes the microphone very easy to handle to keep the sound source in focus.